|  "Extreme realism describes my   art," explains Nancy. "My   technique is in remembrance of the old masters, with a transparent underpainting   and opaque overpainting." Her subject matter is taken from her life and   surroundings.
 Since Nancy spent a large part   of her childhood in England, the teatime was an important part of her life.   Those memories return over and over in her many still life depictions of the   English tea settings. "They call me the tea lady," Nancy says of her art   students. "I love to drink it, I collect teapots and tea cups, and I love to   paint them." So realistic are her shiny   silver teapots, and porcelain teacups on can almost smell the tea. And always in   these paintings are reflections -- reflections of the teacup in the teapot, or   the teapot in the polished mahogany table. "Reflections and contrast are   important themes in my work. I enjoy creating a three dimensional effect, giving   a feeling that you can pick the objects out of the flat surface." Her paintings come to her as ideas that "slip into view as an   elusive shadow" during quiet moments. Some paintings exist as an idea for a long   time as she visits antique shops and collects just the right combination of   objects for what she has in mind. "Abstraction is seen in my still life by the   reflections of the whole painting stretched and pulled in the images of the   items painted. It is very hard to find a brushstroke, as the texture of the   canvas is more visible. The colors are true to life due to a deep study in   color." Her backgrounds are always blurred, almost as reflections themselves.   The main objects stand out in crisp realism as if waiting to be plucked from the   canvas.  Nancy did not start her life   as a painter, but after taking a figure drawing class in college, she was hooked   for life. After obtaining a degree in Fine Arts from Westminster College in New   Wilmington, Pennsylvania in 1974, she first went to work in the field of   advertising as a graphic artist. However, she attended numerous workshops and   continued to study under such noted artists as Robert Hild, Hans Axel Walleen   AWS, Gloria Malcolm Arnold, Mark Milhof, and Gunter Korus.
 In 1987 she stopped working in advertising, rented her own studio, and put her   heart and soul into painting. She taught drawing   and watercolor for adults as well as art lessons for children in the   local museum in Pittsfield, Massachusetts. She became president of the Pittsfield   Art League. In 1994, she moved to Tucson, Arizona. She paints both in   watercolors and oils and has added desert scenes and flowers to her portfolio.  Her artwork has been shown in   many galleries on the east and west coasts. She has also received numerous   awards from both national and international exhibitions including 1993 Best in   Show -- Pittsfield Art League Annual Exhibition -- Grumbacher Medal, 1994 1st   Oil -- Kent Art Association, 1995 -- Best in Show Southern Arizona Watercolor   Guild -- ASDM, and the 1998 Merchandise Award -- Oil Painters of America --   Washington DC. Starting in October 2009 her paintings will be on exhibit at   Sanders Gallery in Tucson, Arizona. She is a signature artist of Oil Painters of   America and Southern Arizona Watercolor Guild. She was a signature artist with   The Copley Society of Boston for several years. Bautzmann, O.P.A. |